The Elizabeth Greenshields Foundation was created in 1955 by Charles Glass Greenshields, Q.C., a distinguished Montreal lawyer and amateur artist, in memory of his mother, Elizabeth.
Mr. Greenshields considered discipline and serious training in the traditional means of artistic expression fundamental to the growth and development of the artist. Through his involvement with the artistic community, he saw how difficult it was for artists to obtain the financial support required to pursue their training. His determination to help emerging artists prompted Greenshields to establish a foundation dedicated to contributing to the development of artists of genuine distinction in their particular fields.
Charles Greenshields personally directed the Foundation that he created for the first 13 years of its existence and remained active in its organization until his death, in 1974. His vision and his mission live on through the foundation that he so generously endowed.
Mr. Greenshields wished to help and encourage serious art students, artists and sculptors who recognize that there is no short cut to competence and who evince a willingness to do the hard work and subject themselves to the discipline required for the mastery of their craft. He was also convinced that the mastery of their craft first required them to master the traditional means of artistic expression. As a result, he directed that the funds of the Foundation be used to help talented individuals in their formative years, to acquire the necessary training, skills and competence in the traditional artistic methods, specifically excluding all grants to students, artists or sculptors “who show clearly a disposition to use the purely abstract or non-objective method in their work.”
The philosophy outlined by Mr. Greenshields in his endowment has informed the mission of the Foundation over the previous 60 years and it continues to do so to this day.
The mission of the Foundation is to promote and encourage the acquisition and development by students and artists of the necessary training, skills and competence in the traditional means of artistic expression. The Foundation provides financial assistance, by way of grants, to students and artists in the early or developmental stage of their career who work in a representational style of painting, drawing, sculpture or printmaking and demonstrate a commitment to making their art a lifetime career. The Foundation does not provide funding for the pursuit of abstract or non-objective art.
The Elizabeth Greenshields Foundation grant is one of the most prestigious grants available to emerging figurative artists, as well as one of the most substantial. It is one of the longest standing, with an illustrious history of recipients spanning more than half a century. It is also unique in its scope, in that it is available to students and artists around the world.
To date, the Foundation has provided financial assistance to more than 1600 students and artists in 40 countries. Its grantees are renowned artists, both nationally and internationally, as well as highly respected art professors, teachers and mentors. The Foundation is extremely proud of its grantees and of their accomplishments. A selection of the works of some of the Foundation’s previous grantees can be found in the Gallery.
First grants are in the amount of CAD $15,000 each. Subsequent grants are in the amount of CAD $18,000 each. Grants are made directly to the beneficiaries, not through other organizations. The Foundation reserves the right to award grants in other amounts and to disburse funds in whole or in part, as it deems advisable. Grantees may not receive more than three grants in their lifetime.
Grants are awarded based solely on the information contained in the Application Form and the supporting documentation and material submitted with it. The Foundation does not conduct personal interviews. The decision of the Foundation is final and is not subject to review or appeal.
“The generous support of The Elizabeth Greenshields Foundation has allowed me a year of focus, self-discipline, and creativity as I continue to explore my practice in the Masters of Fine Arts program at the Nova Scotia College of Art & Design. Your grant will allow me to continue to fund my artistic development in ways that would otherwise have been impossible.”— Elizabeth (Liz) Toohey-Wiese (2013 / 2014 Grantee)
“…The support I received from The Elizabeth Greenshields Foundation was fundamental early in my career as a painter. I couldn't have got my early shows done without the financial assistance of the Foundation. I was able to concentrate 100% on my paintings rather than constantly worry about finding the money to be able to paint for the exhibitions I'd been offered.”— Jenny Saville (1993 / 1996 Grantee)
“…Can I take this opportunity to express my profound gratitude to The Elizabeth Greenshields Foundation. The award allowed me to paint solidly, intensely and without interruption for over two years after leaving Oxford. That period kick-started my career in a way that I have never forgotten.”— Sarah Gillespie (1985 Grantee)
“Receiving your grant has enabled me to meet, befriend and learn from the largest living influence on my work. The grant has also allowed me to gain publicity, meet the family of another enormous influence, travel the world, and, of course, make many more paintings than I would have been able to without the Foundation’s generosity and kindness. I am forever indebted to you. The past year has felt like a dream. Words cannot adequately express my gratitude."— Matthew Adelberg (2013 Grantee)
“I am deeply grateful for the support of The Elizabeth Greenshields Foundation and am overjoyed to report the tremendous impact it has had on my artistic career over the past year. I have met or exceeded all of the goals I set for myself during this funding period. I have created a large body of work that represents a new phase in my artistic output. This work has also garnered the type of attention that means that the audience for my work has grown substantially, and will continue to grow in the future.”— Kristy Gordon (2009 / 2013 / 2015 Grantee)
The Gallery features a selection of the works of some of the grantees of the Foundation.
To see what our grantees are up to, click here.
The Foundation welcomes applications throughout the year; there is no deadline for filing an application.
Applicants must be in the early or developmental stage of their career, work in a representational style of painting, drawing, sculpting or printmaking and demonstrate a commitment to making their art a lifetime career. Applicants must be at least 18 years of age at the time of submitting their application.
Grantees who have complied with the terms and conditions of a grant previously awarded to them by the Foundation may apply for a second or third grant one year after the award of their previous grant.
Applicants who have previously applied for, but not received, a grant may reapply after two years.
Only those applicants who work in a representational style of painting, drawing, sculpture or printmaking will be considered. The Foundation does not accept applications from commercial artists, graphic designers and illustrators; photographers; cartoonists; animation artists; video artists, filmmakers and digital artists; craft-makers; or any artist whose work falls primarily into these categories. The Foundation does not provide funding for the pursuit of abstract or non-objective art.
Applications must be completed online, then printed, dated and signed by the applicant, and submitted by mail. Applicants may not submit applications by fax, email, internet or other electronic means.
All information, supporting documentation and material required in the Application Form must be provided. Incomplete, unsigned or undated applications will not be considered.
The documents required include:
Images of six representative original works (no more or less) produced by the applicant alone in the last two years, on a USB key or a PC-compatible CD. Works submitted with each application, whether an application for a second or third grant, or a new application by an applicant whose previous application has been rejected, must be different from the works submitted by the applicant with any previous application(s). Images must be submitted in the required format (see the “Format of Images” section in the Instructions that accompany the Application Form). Material that is not formatted correctly will not be considered. The USB key or CD and the application must be submitted together, not under separate cover. USB keys or CDs submitted to the Foundation will not be returned.
All documents and material must be submitted in French or in English. Documents or material in another language must be provided to the Foundation in their original language, along with a French or English translation.
The Application Form may be accessed by clicking here.
Continuing the Foundation’s proud tradition at the BP Portrait Award competition, Benjamin Sullivan (UK, 2003) is one of the three shortlisted artists for the 2016 award.
Daniel Hughes (Canada, 1991 / 1995) is holding a solo exhibition, Convalescence, at Ingram Gallery, in Toronto, from May 12 to June 2, 2016.
Erota, an exhibition of recent drawings by Jenny Saville (UK, 1993 / 1996) is being presented at Gagosian Gallery, Davies Street, London, from April 14 to May 28, 2016.
Aleah Chapin (USA, 2012 / 2014) has received the Willard L. Metcalf Award in Art from the American Academy of Arts and Letters; this biannual award honours young artists of great promise. Aleah is also having her third solo show with Flowers Gallery, in New York, NY. Titled Body / Being, the exhibition runs from May 12 to June 11, 2016.
Alex Wood (UK, 2015) has won the Picton Art Prize. His winning sculpture, “Celestial,” was unveiled on April 27, 2016 at Angel Gate in Islington, London.
Mandy Payne (UK, 2015) received the Valeria Sykes Award in the New Light Art Prize in October 2015. The Prize exhibition is being held at the Mercer Gallery, Harrogate, until June 12, 2016, when it moves to Panter and Hall, London, from June 27 to July 1, 2016. One of Mandy’s paintings was also recently selected for the John Moores Painting Prize. The selected works are exhibited at the Walker Art Gallery, in Liverpool, UK, from July 9 to November 27, 2016.
An exhibition of new work by Lilian Kreutzberger (The Netherlands, 2014) and Yasue Maetake, Passing Index, is being held at Hometown Gallery, in Brooklyn, New York, from May 1 to June 19, 2016.
Jason Bard Yarmosky (USA, 2011) is exhibited at Art Brussels at Aeroplastics Contemporary - Booth A-20, Brussels, Belgium, from April 22 to 24. Jason will also be exhibiting in two upcoming shows, Et in Arcadia Ego, from June 2 to October 2, 2016, at New Museum Los Gatos, California, and at Art Market San Francisco, from April 27 to May 1, 2016, at Forum Gallery - Booth 211, San Francisco, California.
Consecrated Reality, an exhibition presented by The Florence Academy of Art US, celebrates the process of creation and of artists who use painting and drawing to reconcile themselves with the world they live in. The exhibition will showcase some of the best in contemporary drawing and painting. Artists include Juliette Aristides (USA, 2003), Steven Assael (USA, 1979 / 1990), Michael Grimaldi (USA, 1999 / 2002) and Robin Smith (USA, 2012). The exhibition runs at Mana Contemporary, Jersey City, NJ, from May 1 to July 8, 2016.
Alyssa Monks (USA, 2003 / 2004 / 2006) is having a solo exhibition of her new paintings, Resolution, at Forum Gallery, New York, from March 24 to May 7, 2016.
Christopher J. Cran (Canada, 1979) is having a show at the National Gallery of Canada, from May 20 to September 5, 2016. Over 100 works created over the last 30 years will be displayed. Chris is considered to be one of the most influential Alberta artists working today, and one of Canada’s preeminent painters of the last few decades.
Robert E. (“Robbie”) Bushe (UK, 1991) has been named the inaugural winner of the £10,000 W Gordon Smith Award. Robbie’s painting was selected from more than 430 entries to claim what has become Scotland’s most lucrative art prize.
Teresa Oaxaca (USA, 2007 / 2008) is having a solo exhibition, Misfits, at The Art League Gallery, Alexandria, Virginia, from April 6 to May 1, 2016.
The Sun Never Knew How Wonderful It Was, an exhibition of new work by Alison Watt OBE (UK,1989), will be presented at Parafin Gallery, in London, from March 17 to May 7, 2016.
The Frederick R. Weisman Museum of Art at Pepperdine University will be holding a retrospective of the works of David A. Leffel (USA, 1964) from May 14 to August 7, 2016. David A. Leffel: The Mystery of Light will feature 55 paintings spanning six decades of the artist’s career and will be accompanied by a 128-page hardcover exhibition catalogue.
Susan Paterson (Canada,1980), Anna Syperek (Canada, 1981), Steven Rhude (Canada, 1982), Alan Bateman (Canada, 1988 / 1990) and Ambera Wellman (Canada, 2014) are participating in Capture 2014: Nova Scotia Realism presented by the Art Gallery of Nova Scotia, Yarmouth, from November 21, 2015 to May 15, 2016. The exhibition, curated by Tom Smart (in consultation with Peter Dykhuis, Director / Curator of the Dalhousie Art Gallery), presents recent work by artists “who are pushing the boundaries” of Realist art and “questions perceived notions of the status and place of Realism in the contexts of current art practices and contemporary society.”